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Richard Wagner has come to be seen as the quintessential artist of the nineteenth century. Borchmeyer here provides the first systematic and comprehensive account of Wagner's aesthetic theory, examining his hitherto neglected prose writings and his ideas on music drama from the various standpoints of literature, the linking of ideas, and the sociology of art. The preeminent importance for Wagner of classical Greek art and mythology emerges with particular clarity, while his links with the great figures and forms of world theatre-- Shakespeare, the commedia dell'arte, the popular theatre, and the puppet theatre--are traced in detail. The influence on Wagner of the historical and social novel is also discussed. The author provides the first comprehensive analysis of Cosima Wagner's Diaries, and throws unexpected sidelights on Wagner's relationship with Nietzsche, in particular his important contribution to Nietzsche's The Birth of Tragedy.

Dieter Borchmeyer, Stewart Spencer,Richard Wagner Theory and Theatre,Clarendon Press,019315322X,Instruction Study - Theory,Theater - General,Opera - 19th century,Opera;19th century.,Wagner, Richard - Criticism and,Wagner, Richard - Criticism and interpretation,1813-1883,19th century,BIOGRAPHY AUTOBIOGRAPHY / Music,Biography / Autobiography,Composers Musicians - General,Criticism and interpretation,Genres Styles - Opera,Great Britain/British Isles,History,History Criticism - General,Language Arts Disciplines/Linguistics - General,MUSIC / Genres Styles / Opera,MUSIC / History Criticism,MUSIC / Instruction Study / Theory,MUSIC OF THE 19TH CENTURY,Music,Music | Philosophy,Music/Genres Styles - Opera,Music/History Criticism - General,Non-Fiction,Opera,PERFORMING ARTS / Theater / General,Romantic music (c 1830 to c 1900),Scholarly/Graduate,Theatre, drama,Theory of music musicology,UNIVERSITY PRESS,Wagner, Richard,Wagner, Richard - Criticism and,Wagner, Richard - Criticism and interpretation,Wagner, Richard,,Western Europe,BIOGRAPHY AUTOBIOGRAPHY / Music,Composers Musicians - General,Genres Styles - Opera,History Criticism - General,Language Arts Disciplines/Linguistics - General,MUSIC / Genres Styles / Opera,MUSIC / History Criticism,MUSIC / Instruction Study / Theory,Music/Genres Styles - Opera,Music/History Criticism - General,PERFORMING ARTS / Theater / General,Biography / Autobiography,1813-1883,19th century,Criticism and interpretation,Opera,Wagner, Richard,,Music Of The 19th Century,Music,Romantic music (c 1830 to c 1900),Theatre, drama,Theory of music musicology

Richard Wagner Theory and Theatre Dieter Borchmeyer Stewart Spencer 9780193153226 Books Reviews :

Richard Wagner has come to be seen as the quintessential artist of the nineteenth century. Borchmeyer here provides the first systematic and comprehensive account of Wagner's aesthetic theory, examining his hitherto neglected prose writings and his ideas on music drama from the various standpoints of literature, the linking of ideas, and the sociology of art. The preeminent importance for Wagner of classical Greek art and mythology emerges with particular clarity, while his links with the great figures and forms of world theatre-- Shakespeare, the commedia dell'arte, the popular theatre, and the puppet theatre--are traced in detail. The influence on Wagner of the historical and social novel is also discussed. The author provides the first comprehensive analysis of Cosima Wagner's Diaries, and throws unexpected sidelights on Wagner's relationship with Nietzsche, in particular his important contribution to Nietzsche's The Birth of Tragedy.

Dieter Borchmeyer, Stewart Spencer,Richard Wagner Theory and Theatre,Clarendon Press,019315322X,Instruction Study - Theory,Theater - General,Opera - 19th century,Opera;19th century.,Wagner, Richard - Criticism and,Wagner, Richard - Criticism and interpretation,1813-1883,19th century,BIOGRAPHY AUTOBIOGRAPHY / Music,Biography / Autobiography,Composers Musicians - General,Criticism and interpretation,Genres Styles - Opera,Great Britain/British Isles,History,History Criticism - General,Language Arts Disciplines/Linguistics - General,MUSIC / Genres Styles / Opera,MUSIC / History Criticism,MUSIC / Instruction Study / Theory,MUSIC OF THE 19TH CENTURY,Music,Music | Philosophy,Music/Genres Styles - Opera,Music/History Criticism - General,Non-Fiction,Opera,PERFORMING ARTS / Theater / General,Romantic music (c 1830 to c 1900),Scholarly/Graduate,Theatre, drama,Theory of music musicology,UNIVERSITY PRESS,Wagner, Richard,Wagner, Richard - Criticism and,Wagner, Richard - Criticism and interpretation,Wagner, Richard,,Western Europe,BIOGRAPHY AUTOBIOGRAPHY / Music,Composers Musicians - General,Genres Styles - Opera,History Criticism - General,Language Arts Disciplines/Linguistics - General,MUSIC / Genres Styles / Opera,MUSIC / History Criticism,MUSIC / Instruction Study / Theory,Music/Genres Styles - Opera,Music/History Criticism - General,PERFORMING ARTS / Theater / General,Biography / Autobiography,1813-1883,19th century,Criticism and interpretation,Opera,Wagner, Richard,,Music Of The 19th Century,Music,Romantic music (c 1830 to c 1900),Theatre, drama,Theory of music musicology

Richard Wagner Theory and Theatre [Dieter Borchmeyer, Stewart Spencer] on . Richard Wagner has come to be seen as the quintessential artist of the nineteenth century. Borchmeyer here provides the first systematic and comprehensive account of Wagner's aesthetic theory

 

Product details Hardcover 448 pages Publisher Clarendon Press; 1 edition (November 28, 1991) Language English ISBN-10 019315322X

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